Golden A' Design Award Winner 2022
Erika Zielinski's architectural bifurcation activates the archetypal symbolism of complementary opposites found across world wisdom traditions, where light and shadow represent interdependent aspects of unified wholeness rather than competing forces. The precise vertical division evokes the Taoist yin-yang principle, suggesting that apparent opposites contain and require each other for completion—the white cushions appearing within the dark zone and dark cushions within the light zone echo the familiar dots within the ancient circular diagram. The descending chandelier functions as threshold symbol, marking the liminal boundary where transformation occurs while simultaneously serving as unifying element connecting disparate realms through shared materiality. Glass, with its capacity to transmit and transform light, traditionally represents spiritual illumination and the interface between seen and unseen worlds. The teardrop form of individual pendants may evoke water symbolism—purification, emotional depth, and the continuous cycle of evaporation and rainfall that maintains earthly balance. Sheepskin ottomans in both zones invoke warmth, comfort, and pastoral innocence, their identical forms rendered in contrasting tones demonstrating how essential nature persists regardless of surface appearance. Crystalline geode formations scattered throughout carry associations with hidden treasures, inner beauty, and the gradual processes of natural formation requiring geological time. The exposed ceiling beams suggest honesty of construction and connection to craft traditions, while their chromatic transition from white to black reinforces the spatial narrative of transformation. The perforated metal screens function as veils, partially revealing and concealing background spaces while creating patterns suggesting cosmic order through geometric repetition. This interior ultimately proposes that domestic space can embody philosophical principles, offering inhabitants daily immersion in contemplative symbolism.
This project was created for Casacor Peru, the most important architecture and interior design exhibition of the Americas. The topic was Planeta Casa, meaning our planet is our home. The inspiration to design this space graphically divided into black and white was to represent day and night during the equinox, when day and night are 12 hours long. The challenge was to achieve harmony working with the most radical contrast in the color palette, dovetailing the contrast using only different textures and materials, and ultimately representing consonance and peace between opposites.