Golden A' Design Award Winner 2023
Bo Zhou's Flow Bar employs the teardrop as its primary symbolic vehicle, a form carrying profound cross-cultural resonance as emblem of transformation, purification, and the liminal moment between states of being, here rendered in metallic permanence to suggest the alchemical fixing of mercurial essence into enduring form. The grid arrangement activates numerological significance through its multiplication of forms into approximate multitudes of twelve, a number traditionally associated with cosmic completion and cyclical wholeness, while the teardrop morphology evokes associations with rain, tears, and the essential life-giving properties of water that underpin hospitality rituals of drinking and gathering. The material semiotics operate through deliberate juxtaposition: rough concrete columns speak to architectural honesty and earthbound stability while polished metal drops suggest refinement, elevation, and the transformation of raw material into precious object, together articulating a narrative of ascent from base matter to sublimated form. The spatial hierarchy positions the installation in the celestial register above while functional human activity occurs below, echoing archetypal cosmological arrangements where the heavenly canopy shelters earthly activity. The reflective surfaces of the metallic forms create passages where the viewer's gaze cannot penetrate but instead returns transformed, suggesting mirrors to the psyche and the contemplative self-reflection that liminal hospitality spaces traditionally afford. The solitary figure silhouetted against light at the composition's depth activates threshold symbolism, standing at the boundary between interior shadow and exterior luminosity, between the sheltered realm of social gathering and the world beyond. The overall installation may be understood as a contemporary interpretation of the sacred grove or ritual space, where repetitive vertical elements create forest-like enclosure and the act of passing beneath pendant forms induces awareness of transition and transformation.
The space is blocked in dark and calm black, full of mystery and futuristic vibe. When entering the space, one's eyes will be immediately drawn to the giant art installation on the ceiling, created by the designer based on the aesthetics of the array. The installation, shaped like rounded water drops, is placed in a neat vertical and horizontal pattern and runs in a self-formed cycle. This allows viewers to perceive the rhythm of the flow of space in an unexpected way. People may sense the stillness, simplicity, and ease in this place while they are sitting here.