Silver A' Design Award Winner 2023
Architectural phenomenology and spatial semiotics converge powerfully in this interior composition, where the monumental concrete staircase functions as both pragmatic circulation element and symbolic representation of intellectual ascent, knowledge-seeking, and progressive elevation through learning. The diagonal vector of the stair creates what spatial theorists might identify as a processional axis, transforming everyday movement into ritualized journey and encoding the educational mission within the building's very bones. The material choice of exposed concrete carries complex cultural associations: honesty and authenticity through revealed structure, democratic accessibility through humble industrial materials, and institutional permanence through mineral solidity that suggests endurance across generations. The strategic punctuation of vivid red panels introduces chromatic symbolism associated with vitality, passion, energy, and intellectual fervor—qualities traditionally valued in educational contexts—while their geometric precision suggests rational order and systematic thought. The living green column represents perhaps the most symbolically rich element, functioning as axis mundi connecting earthly ground to upper realms, introducing biophilic archetypes of growth, renewal, and natural wisdom into the technological environment, and suggesting that true learning integrates organic understanding with constructed knowledge. The timber seating platforms encode hospitality and welcome through their warm natural material, while their stepped amphitheatrical arrangement references ancient pedagogical typologies from Greek academies to Roman forums where knowledge was publicly shared and debated. The spatial transparency across multiple levels creates what architectural phenomenologists might term visual porosity, symbolizing openness to ideas, accessibility of knowledge, and the interconnection of disciplines within contemporary educational philosophy. The presence of human figures in various postures and groupings suggests the social construction of knowledge through dialogue and community, while the motion-blurred ascending figure embodies the aspirational spirit of education as transformative journey toward elevated understanding and expanded possibility.
Square or the learning center of the University of St. Gallen in Switzerland is an inspiring and vibrant environment for learning and teaching and gives students, lecturers and the wider society a future-oriented platform for exchange, dialogue and surprising encounters. The building was designed by Sou Fujimoto and architecture studio Evolution Design was tasked with creating a learning concept that responds to the innovative learning and teaching formats and enables maximum flexibility in the future. The interior concept is, therefore, dynamic and adaptable.