Bronze A' Design Award Winner 2025
Chromatic luminosity radiates from the transparent central zone where cool cerulean and warm coral establish thermal opposition, the wave forms operating within established symbolic vocabularies associated with water's dual nature as life-giving nourishment and transformative force, flowing movement suggesting both physical rivers and metaphorical currents of time and experience, the circular golden medallion functions as cosmic center, its perfect geometry contrasting with the organic fluidity surrounding it, gold carrying associations with solar radiance, imperial authority, precious value, spiritual illumination, and the incorruptible across numerous cultural frameworks, the calligraphic characters grounding the design in specific linguistic and cultural coordinates while their elegant execution elevates them beyond mere textual information into aesthetic gesture, the solitary robed figure potentially evoking scholarly or poetic archetypes, the contemplative individual who finds wisdom through observation of natural phenomena, literati traditions of educated refinement, or spiritual practitioners who perceive deeper meanings within elemental forces, crane symbolism if accurately identified suggesting longevity and good fortune, the birds representing transcendence between earthly and celestial realms through their capacity for flight, their appearance in pairs or groups often signifying marital harmony or social celebration, though here seeming to participate in the atmospheric flow rather than establishing paired relationships, wave motifs carrying rich associations with persistence, rhythm, natural power, the relationship between surface appearance and hidden depths, journey and navigation themes, purification and renewal, the eternal return of tidal and seasonal cycles, the undulating forms also suggesting landscape contours, mountain ridges viewed from distance, or the flowing sleeves and robes in traditional figure painting, creating visual rhyme between human presence and natural environment, the oval vessel form itself suggesting wholeness, the cosmic egg, containment and protection, the feminine principle in certain symbolic systems, while also providing practical advantages for grip and visual elegance compared to cylindrical alternatives, the vertical orientation establishing hierarchy from earthly base through central narrative zone toward the flared opening suggesting release or offering, the warm golden framework functioning as threshold between ordinary material reality and the luminous pictorial realm contained within, precious metal borders historically signifying the elevated status of what they enclose, from manuscript illumination to icon painting to reliquary construction, the layered transparency creating literal and metaphorical depth, revealing rather than concealing, offering visual access to inner content while maintaining protective barrier, the integration of traditional motifs with contemporary material technology perhaps suggesting cultural continuity, honoring heritage while embracing innovation, the vessel as metaphor for culture itself, containing and preserving essential elements while allowing them to be witnessed and appreciated, how traditional wisdom maintains vitality through thoughtful translation into current forms and materials, the overall composition balancing earthly material luxury through golden tones with transcendent aspirations through celestial blues and flowing forms, the substantial physical presence of the vessel grounding ethereal symbolic content in tangible beautiful object worthy of ceremonial use and aesthetic contemplation.
Su Jiu Dong Po is a set of four liquor bottles inspired by the poetry and life of the poet Su Shi. Each bottle represents one stage of the poet's life, from an exuberant youth to a free spirited later age. The bottles are made of a glass-crystalline white material and follow the streamlined meiping plum vase form, with a narrowed mouth and a full body that recalls Song dynasty porcelain. The outer surface is carved in relief, and the texture shifts from dense to sparse to suggest the flow of a river. Poetic imagery is turned into a visual and tactile experience.