Golden A' Design Award Winner 2020
Masuda's spatial composition operates through the archetypal symbolism of the celestial canopy, where the perforated ceiling transforms into a metaphorical firmament of countless luminous bodies suspended above the gathering place below. The circular apertures carry profound cross-cultural significance, the circle representing completion, unity, and cosmic order in traditions ranging from Zen Buddhist ensō to Platonic idealism, here multiplied into a democratic constellation where each point of light holds equal value within the collective whole. The curved ceiling form suggests protective enclosure, the sheltering dome archetype that humans have sought since earliest architectural impulses, transformed here into contemporary expression while maintaining its fundamental psychological resonance of safety and containment. Color symbolism operates through the warm spectrum wherein the carmine red of the banquette upholstery carries associations of vitality, appetite stimulation, and communal warmth, while the amber illumination evokes hearth fire, the primordial gathering light that has drawn humans together for millennia. The numbered tables introduce an interesting symbolic tension, suggesting both democratic accessibility and ordered systems, the rationality of organization working alongside the organic warmth of the material palette. The perforated screens reference traditional shoji and lattice elements from architectural heritage, translating rice paper translucency into contemporary illuminated panels that maintain the essential quality of filtered, softened light passing through structured apertures. The spatial progression from the public counter zone toward the more enclosed banquette seating enacts threshold symbolism, the journey from exposed to sheltered, from individual to collective, from arrival to settlement. Material choices speak to authenticity and craft: the tufted leather evokes traditional upholstery excellence, the oxidized wall surfaces suggest the passage of time and the beauty of patina, while the precision of the lighting installation represents contemporary technical achievement harmonizing with these timeless material expressions.
Marugo Shinbashi incorporates the circle that composes the Marugo logo into the interior of the interior as a feeling of opening and casual feeling of the wine bar, and an eye-catching mechanism, the western element and the Japanese material of the copper panel made of Takaoka. In combination, Masterd was able to make something that was not there.